As a counterpoint to Herbst ist da
Look out the window. And doesn’t this remind you of when you were in the boat, and then later than night, you were lying, looking up at the ceiling, and the water in your head was not dissimilar from the landscape, and you think to yourself, “Why is it that the landscape is moving, but the boat is still?”
This has the essence of squareness on a 6×7. It’s Roy Lichtenstein on a label. A frame without trame. A halftone cubist symphony.